Borrowed from Milan Kundera’s celebrated novel, the title for this text seems only too adequate to the work of Odani Motohiko we are featuring in this text. Interested in capturing “the concepts of movement and transformation, dynamism and speed in sculpture”, according to his own words, Motohiko’s art pieces strike viewers with their eerie and almost surreal appearance.
Working with a variety of media, we shall, however, concentrate exclusively on one of his lines of creation, which fits our choice of aesthetics to which we want to remain faithful. Addressing philosophical issues and sculpture concepts not easily grasped by the majority of viewers, let us then solely focus our attention on his lighter-than-air, stunning, imaginative works which leave viewers breathless with wonder.
