Feathers have always been associated with beauty, colour, fashion and wealth. It is not in vain that they are used in high fashion design gowns fit for queens. They add flair to a hat, panache to uniforms, distinction to costumes, glamour to a fan gracefully held by a woman’s hand.
Chris Maynard, an American artist based in Olympia, Washington, admits to having always been fascinated by feathers – which he considers to be small pieces of perfection – and now dedicates his time and huge talent to the creation of amazing feather-light miniature sculptures. A Nature lover, Maynard is especially careful about the origin of the feathers he uses, which he collects from generous private aviaries, zoos and non-profit bird rescue organisations when birds shed their plumage. He then recycles them in his art, whose most common themes are – quite naturally – connected to birds.
His meticulous creations require the use of complex tools such as eye surgery scissors, forceps, scalpels and magnifying lenses, which he has to handle with great precision. Once completed, his stunning images of birds are then mounted onto frames commonly known as shadowboxes, which allow for the full perception of their three-dimensional nature.
Quite fittingly, he calls his project “Featherfolio” and Maynard’s exhibition, on display in different towns in the United States since the beginning of this year, goes under the adequate and appealing title of “Feather’s Second Flight”.
Maynard, who could be called a feather “whisperer”, says that he hopes “that seeing birds in a different light through my artwork will encourage appreciation of avian life and, hence, a desire to conserve it.” In fact, his breathtaking designs are accurately arranged so as to remind viewers of the feathers’ origins and, for their fascinating beauty and lightness, are, indeed, a pleasant invitation for viewers to feast their eyes on feathers.
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